shifting forms


I start to load clips from my footage onto the computer, looking more closely at the material now. I revisit an early trip to Baandee Lakes, when a storm threatened, but didn’t break. I look at the damaged sky above the salt lake in a tiny square on my computer monitor. I turn off the audio, silencing the wind and birds so that I can focus simply on the grain of the video, the quality of the light and the configuration of shifting forms.

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